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For many people, the streaming service
Netflix has long been a part of everyday life.

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With over 300 million subscribers worldwide
in more than 190 countries, Netflix is one of

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the largest classic streaming services of all.

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One click and we dive into stories,
series, and films from all over the world.

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But while we’re wondering what we want to
watch, another, much more important question arises:

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Who actually decides what we get to see?

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And with that question, I welcome you to Kla.TV. A warm welcome!

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Who or what is Netflix?

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What began in 1997 with the founding of Netflix and
launched in 1998 as an online DVD rental service has grown

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into one of the world’s largest entertainment companies

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In 2025 alone, Netflix generated
revenue of more than 45 billion US dollars.

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Today, Netflix produces and distributes films
and series worldwide, utilizing data,

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algorithms, and increasingly artificial intelligence.

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Netflix analyzes what we watch, search for, or
stop watching, and uses this data to provide

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recommendations that are as personalized as possible.

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Crucially, however, Netflix doesn’t
just show us what we’re looking for.

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The algorithm helps determine what content
comes to our attention and what we watch next.

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But what happens when a system is designed not only to
capture our attention but also to manipulate on a massive scale?

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A lawsuit filed by the US state of Texas
against Netflix shows exactly what the problem is.

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Texas accuses the company of deliberately using
algorithms, autoplay, and the analysis of user data to keep

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people in front of the screen for as long as possible.

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This is particularly problematic for children and
adolescents who are still developing and can be especially

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receptive to strong stimuli and recurring manipulative content.

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At the same time, algorithms help determine
which films and series are suggested to them,

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even if they haven’t searched for them themselves.

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Constant Exposure to Extreme Violence

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One of Netflix’s most successful
productions is the series “Squid Game.”

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In it, more than 450 people in debt
compete against one other in children's games.

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Anyone who loses a game is shot or dies in some other way.

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What’s particularly problematic is that colorful playgrounds and
a childlike atmosphere are mixed and linked with extremely

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graphic scenes of violence, and at the same time, “Squid
Game” is well-known and popular among many young people.

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In total, the series comprises three seasons with 22 episodes.

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That amounts to nearly 22 hours in which viewers are repeatedly
confronted with brutal violence, killings, and deadly games.

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Despite the fact that “Squid Game” is rated for ages 16 and up,
it even reaches preschool and elementary

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school children, who imitate the games and, in
some cases, the series’ theme of violence.

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Educators therefore strongly urge parents not to let
children watch the series, neither alone nor with adults.

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Netflix releases a whole range of films and series of this kind.

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The series "Alice in Borderland," for example, depicts
brutal and sometimes sadistic games over three seasons.

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Studies show that depictions of violence trigger anxiety,
nightmares, and sleeping problems in children and adolescents.

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Of particular concern is that frequent
consumption of violent content is linked to more

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aggressive behavior and a desensitization to violence.

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Recurring Focus On and Detailed Depiction of Suicide

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Netflix does not stop at merely
focusing on this controversial topic.

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In the original version of “Dead Girls Don’t Lie” – known
internationally as “13 Reasons Why” – the suicide of a 17-year-old

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character was depicted very directly and in great detail over
several minutes, from the planning stage up to the act itself.

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Experts issued urgent warnings about the
potential for copycat behavior among at-risk teenagers.

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Nevertheless, the series remained online. It was
only after some time that the scene was edited.

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This is by no means an isolated case! The Netflix catalog
includes other movies and series for teens and young adults, such

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as “My Suicide” (or “Archie’s Final Project”), “All
the Bright Places” and “Not Alone”, which address

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suicide and suicidal thoughts, to name just a few examples.

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Dear viewers, this is about more than just single productions.

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The fundamental question is why such content is
broadcast and what effect it can have, particularly on young

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people who are themselves facing difficult life situations.

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If young viewers identify with the characters portrayed and their
problems and behavior, there is a risk that, in the worst-case

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scenario, they might view suicide as a possible way out.

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LGBTQ as a Gateway to Transsexuality and Pedophilia?

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One topic that is being addressed in
more and more movies and series is LGBTQ.

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Netflix is one of the streaming platforms
with a particularly large number of

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productions featuring LGBTQ themes and characters.

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Even content aimed at very young
viewers is already addressing these topics.

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The GLAAD study explicitly names Netflix as the
streaming service with the largest number of LGBTQ characters.

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Barack and Michelle Obama, through their production company
Higher Ground, are also involved in several

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productions that address LGBTQ themes. About half of the
content on Netflix Kids features LGBTQ representations.

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Netflix Kids is thus specifically aimed at children and
adolescents—an age group in which, according to German

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psychotherapist Christa Meves, gender identity is affirmed.

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“This large-scale international program is intended to be more
than just an ideological game; after all, why

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is it that ‘openness regarding gender identity’
is to be instilled already in the little ones?

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This indicates a strategy that suggests the
initiators possess expertise in developmental psychology.

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For between the ages of 4 and 7, a mentally
healthy child takes a significant

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developmental step: the affirmation of gender identity. ”

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In recent years, the number of minors and young
adults who identify as transgender has risen sharply.

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At the same time, access to hormone blockers and gender-affirming
surgeries for young people has become increasingly easy.

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Legislators are also in the process of shaping the legal framework
in such a way that parents have little or no say in these

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matters and may even face criminal penalties for violations.

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At the same time, adolescents are making decisions about
potential surgical gender reassignment, the

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implications and long-term consequences of
which, due to their age, they are unable to assess.

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Companies and major investors willingly open
their wallets, but not to help those affected.

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As reported in the Kla.TV broadcast “Total Brainwashing—How Our
Children Are Being Indoctrinated,” the investment group

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“Capital Research Global Investors” invests both in
Netflix and in companies that manufacture puberty blockers.

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These preparations are primarily used in
adolescents to temporarily halt physical puberty.

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Are we seeing a diabolical business model here?

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Deliberate Sexualization of Children and Adolescents

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The film "Cuties" triggered an international
shitstorm and calls for a boycott on #CancelNetflix.

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In 2020, US Senator Mike Lee addressed
then-Netflix CEO Reed Hastings directly.

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The film is about 11-year-old girls who form a
dance group and perform highly sexualized

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dance moves while wearing corresponding outfits.

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In particular, the staging and camerawork of these
scenes drew fierce international criticism and sparked

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a broad debate about the sexualization of children.

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Netflix did not remove the film but
significantly suppressed its visibility in search results.

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However, pedophiles still had the possibility to access it.

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Why pedophiles? Isn’t that a bit far-fetched?

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Research by the internet video creator known by the
pseudonym Mouthy Buddha reveals explosive connections:

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The word "Cuties" is used by large pedophile
networks as a basic term for young girls on the internet.

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Interestingly, the pedophile platform under
investigation, “Cutie Garden”, had already been active

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for a year before the release of the film *Cuties*.

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The word “Cutie” refers to a person
perceived as sweet, cute, or attractive.

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Given the name of the pedophile website and the search terms
used there, you might ask the perfectly legitimate question:

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How did the film end up with a name like that?

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The Capital Behind the Rise of Netflix

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We’re all familiar with the American rags-to-riches story:

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With a good idea, courage, passion, and a lot of hard
work, supposedly anyone can make it to the very top.

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This story is often told, especially when it
comes to the founding of major U.S. corporations.

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But if you take a closer look,
the myth quickly begins to crumble.

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Many U.S. tech companies received early support from
wealthy investors and venture capital firms in the Silicon

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Valley environment, which significantly accelerated their rise.

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This puts Netflix in good company alongside
companies like Apple, Google, Facebook, and YouTube.

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Over the decades, Silicon Valley has evolved into
a tight-knit network of technology and capital.

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Major private investors played a key role in this development.

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One example is the Rockefeller family
with its venture capital firm Venrock.

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Other venture capital firms and investors from abroad joined in.

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Capital also flowed into this technology sector
from circles associated with the Rothschild family.

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For example, RIT Capital Partners – originally founded as
Rothschild Investment Trust – invested in

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Thrive Capital as early as 2012 and has since
participated in its large venture capital funds.

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Netflix also benefited from this financing system.

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In 1998, Institutional Venture
Partners initially provided $6 million.

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In 1999, millions more followed, including from
Technology Crossover Ventures and Foundation Capital.

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In 2000, another $50 million was added.

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Even before going public, Netflix had received
a total of more than $100 million in financing.

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So it wasn’t a hard-fought
rise—neither for Google nor Apple nor Netflix:

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From the very beginning, the growth of these companies was backed
by financially strong investors and corporations.

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Their money was instrumental in making this
development possible, but it also gave them influence.

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What does that look like today? Who is behind
Netflix today and who actually owns the company?

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A look at Netflix’s largest shareholders reveals a pattern
that we also see with many other major Hollywood film studios,

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such as Walt Disney, Warner Bros. Discovery, and Paramount:

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Vanguard, BlackRock, and State Street are
consistently to be found among the largest shareholders.

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They are among the world’s largest asset
managers and hold stakes in numerous other major media

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companies as well as pharmaceutical corporations.

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As Kla.TV has already uncovered in recent months and published on
Vetopedia, we see well-known high-ranking Masonic families within

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the inner circle of BlackRock and
Vanguard: members of the Rothschild and

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Rockefeller families. Behind the scenes, of course.

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Hidden behind asset managers and investment
companies, they—along with their

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“helpers”—drive and shape the world’s negative developments.

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The Minds Behind Netflix

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But capital alone does not create a global corporation.

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Equally crucial are the people who are supported in
their rise by the would-be elite and their networks—people

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who represent their interests and pursue their goals.

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Let's now turn to the two founders of
Netflix: Reed Hastings and Marc Randolph.

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Wilmot Reed Hastings

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Wilmot Reed Hastings was born in Boston in 1960.

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His father was a lawyer who worked for the
administration of Freemason Richard Nixon.

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In 1997, Hastings co-founded Netflix with Marc Randolph.

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Later he took on other influential positions.

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For several years, he served on the boards of
directors of Microsoft and Facebook, now known as Meta.

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Marc Bernays Randolph

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Marc Bernays Randolph—known as Marc
Randolph—was the company’s founder and CEO until 1999.

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His great-uncle Edward Bernays is considered one of
the most important pioneers of modern propaganda.

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He showed how public opinion can be deliberately
shaped and how people can be influenced in their decisions.

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His methods have been—and continue to be—used
with great success by companies and governments

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to steer perceptions, opinions, and behavior.

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Edward Bernays, in turn, was the nephew of the
Austrian physician and neurologist Sigmund Freud,

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who is considered the founder of psychoanalysis.

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At this point we'll summarize the key points:

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Netflix is no random product. A look at its founders and
their family and professional connections reveals that

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the issue of manipulation has a remarkable history there.

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Netflix productions are designed to keep viewers
in front of the screen for as long as possible.

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They contain highly manipulative content,
detailed depictions of suicide, the sexualization

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of children and depictions of extreme violence.

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Children are exposed to LGBTQ content at an early
age, which influences their personality development.

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The rising numbers of gender reassignment surgeries and
gender identity disorders—driven in part by this

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exposure—play right into the hands of Netflix's investor group.

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That’s because the investor group Capital
Research Global invests not only in Netflix but also

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in companies that manufacture puberty blockers.

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All of this is reason enough to ask: In
whose interest is all of this happening?

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The Recurring Theme With hundreds of volunteers, Kla.TV
has scrutinized the world's largest organizations

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across various industries and researched their backgrounds.

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From the pharmaceutical industry to the
economy in general and on to the media.

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The results have been published for
you free of charge at www.vetopedia.org.

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One group of people that kept cropping up
during this research and appears to connect all

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the key players is high-degree Freemasonry.

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The following examples show why this group also
plays a major role in connection with Netflix:

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BlackRock

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It is the world’s largest asset manager and holds
stakes in numerous media and pharmaceutical companies.

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This gives the company considerable influence.

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BlackRock is one of Netflix’s largest shareholders.

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Founder Larry Fink is a member of the following ancient lodges:
Amun Lodge, Compass Star-Rose/Rosa Stella

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Ventorum Lodge, Der Ring Lodge, Hathor Pentalpha
Lodge, Pan-Europa Lodge, and Three Eyes Lodge.

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Vanguard

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The situation is similar with Vanguard.

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The world’s second-largest asset manager also holds
significant stakes in numerous media and pharmaceutical

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companies and is likewise one of Netflix’s largest shareholders.

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Founder John Bogle was a high-degree Freemason
and a member of the ancient Hathor Pentalpha

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Lodge, just like BlackRock founder Larry Fink.

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The father of Netflix founder Reed Hastings
Jr., Reed Hastings Sr., was a lawyer and worked for

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the administration of Freemason Richard Nixon.

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Reed Hastings Sr.’s family connection to Freemasonry may have
played an important role in the founding of

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Netflix by Reed Hastings Jr. and in the
financial support it received from Silicon Valley.

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The situation may be similar with regard to the assuming
of influential positions at Microsoft, Facebook, and Meta,

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as well as connections to Bill Gates and Mark Zuckerberg.

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Microsoft founder Bill Gates is also a high-degree
Freemason and was, among other things, in contact with

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the pedophile child sex trafficker Jeffrey Epstein.

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Marc Zuckerberg—the founder of Facebook and Meta—was part of
the World Economic Forum’s 2009 class of Young Global Leaders.

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The Young Global Leaders program was
founded by Klaus Schwab, a high-degree Freemason.

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Netflix co-founder Marc Randolph’s family history
includes a connection to the B’nai B’rith Lodge.

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His great-great-uncle, Sigmund Freud, was a member
of the Vienna Society, , which was founded in 1895.

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In February 2004, the Paris Lodge was named after him.

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At the 22nd AZK, Ivo Sasek clearly explained which "club" these
groups of people belong to, which ideals and values they

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represent, and that they deliberately orient
themselves toward satanic and occult powers as

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guides, inspiration, and the source of their actions.

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Disguised under the cloak of philanthropists, these high-degree
Freemasons use their financial resources to fuel wars, cause

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environmental disasters through weather
manipulation, and ensure that the cornerstones and values of a

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stable and healthy society are mercilessly destroyed.

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For more information, we recommend
watching the entire speech by Ivo Sasek.

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Final Conclusion

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] If Netflix was indeed deliberately established and financed as
a tool by people with these connections and background, then this

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would explain the manipulative content featuring extreme
violence, suicide, the sexualization of

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children, and the attack on gender identity through
LGBTQ content that we highlighted in this broadcast.

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With the obvious goal of creating a society that passively
accepts extreme violence, the suicide of people like

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loved ones or close friends, and even pedophilia—
and would even endorse these things in the worst case.

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To prevent this from happening, please help by sharing this
broadcast with acquaintances, friends, and family members.

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Only when such connections become increasingly well known
can these developments be prevented by informed people.