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Festival Film Cannes: Manuver pengalihan untuk menyembunyikan ke-jahatan ...
06.06.2024
Subtitle "Afrikaans" was produced by machine.Subtitle "አማርኛ" was produced by machine.Subtitle "العربية " was produced by machine.Subtitle "Ārāmāyâ" was produced by machine.Subtitle "azərbaycan dili " was produced by machine.Subtitle "беларуская мова " was produced by machine.Подзаглавието "България" е създадено от машина.সাবটাইটেল "বাংলা " মেশিন দ্বারা তৈরি করা হয়েছিল।Subtitle "བོད་ཡིག" was produced by machine.Subtitle "босански" was produced by machine.Subtitle "català" was produced by machine.Subtitle "Cebuano" was produced by machine.Subtitle "ગુજરાતી" was produced by machine.Subtitle "corsu" was produced by machine.Podtitul "Čeština" byl vytvořen automaticky.Subtitle "Cymraeg" was produced by machine.Subtitle "Dansk" was produced by machine.Untertitel "Deutsch" wurde maschinell erzeugt.Subtitle "Untertitel" was produced by machine.Ο υπότιτλος "Ελληνικά" δημιουργήθηκε αυτόματα.Subtitle "English" was produced by machine.Subtitle "Esperanto" was produced by machine.El subtítulo 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Samoa" was produced by machine.Subtitle "chiShona" was produced by machine.Subtitle "Soomaaliga" was produced by machine.Titra "Shqip" u krijua automatikisht.Превод "србски" је урађен машински.Subtitle "Sesotho" was produced by machine.Subtitle "Basa Sunda" was produced by machine.Undertext "Svenska" är maskinell skapad.Subtitle "Kiswahili" was produced by machine.Subtitle "தமிழ்" was produced by machine.Subtitle "తెలుగు" was produced by machine.Subtitle "Тоҷикй" was produced by machine.Subtitle "ภาษาไทย" was produced by machine.ንኡስ ኣርእስቲ "ትግርኛ" ብማሽን እዩ ተፈሪዩ።Subtitle "Türkmençe" was produced by machine.Subtitle "Tagalog" ay nabuo sa pamamagitan ng makina.Altyazı "Türkçe" otomatik olarak oluşturuldu.Subtitle "татар теле" was produced by machine.Subtitle "Українська " was produced by machine.ذیلی عنوان "اردو" مشین کے ذریعہ تیار کیا گیا تھا۔Subtitle "Oʻzbek" was produced by machine.Phụ đề được tạo bởi máy.Subtitle "Serbšćina" was produced by machine.Subtitle "isiXhosa" was produced by machine.Subtitle "ייִדיש" was produced by machine.Subtitle "Yorùbá" was produced by machine.Subtitle "中文" was produced by machine.Subtitle "isiZulu" was produced by machine.
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Festival Film Cannes: Manuver pengalihan untuk menyembunyikan ke-jahatan kekerasan ritual setan?
06.06.2024
www.kla.tv/29296
Festival Film Cannes 2024: Prancis kini juga mengalami perdebatan "Me Too"! Film pendek "Moi aussi" - "Aku juga" - karya Judith Godrèche membahas pelecehan seksual, terutama dalam industri film. Sebuah perkembangan yang penting, karena SEMUA jenis pelecehan seksual BUKANLAH pelanggaran yang sepele! Terutama kekerasan seksual dan ritual setan terhadap anak-anak! Tapi mengapa hal yang ter-akhir ini justru diremehkan, ditutup-tutupi, atau disembunyikan oleh media arus utama? Film "Les Survivantes", yang juga telah dirilis di Prancis dan di dalamnya terdapat 8 orang yang selamat dari jaringan pedofilia, menunjukkan bahwa ada cara lain.
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Festival Film Cannes: Manuver pengalihan untuk menyembunyikan ke-jahatan kekerasan ritual setan?
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06.06.2024 | www.kla.tv/29296
Festival Film Prancis di Cannes kembali digelar pada 14-25 Mei tahun ini. Film pendek “Moi aussi” (Me Too) karya sutradara dan aktris Prancis Judith Godrèche yang mengangkat topik pelecehan seksual menarik banyak perhatian di awal festival. Film pendek "Moi aussi" didasarkan pada debat publik "#MeToo" yang dipicu di Hollywood beberapa tahun yang lalu. Setelah berbagai kasus pelecehan di industri film AS terungkap, misalnya oleh sutradara Harvey Weinstein, tagar "Me Too" mendorong mereka yang terkena dampak untuk mempublikasikan pengalaman buruk mereka. Sutradara film "Moi aussi" asal Prancis, Judith Godrèche, juga merupakan korban langsung kekerasan seksual pada usia 14 tahun di tangan sutradara film berusia 39 tahun, Benoît Jacquot. Setelah ia mempublikasikan hal ini, ia menerima banyak kesaksian dari para korban pelecehan seksual lainnya. Bersama dengan banyak selebriti dan korban lainnya, dia sekarang mengecam kurangnya konsekuensi atas kekerasan seksual. "Terlepas dari keberanian para korban, impunitas terus berkembang," demikian seruan yang dipublikasikan di surat kabar "Le Monde". "Siapa yang benar-benar mendengar kami?" tanya para penandatangan banding, yang meliputi aktris Isabelle Adjani, Juliette Binoche, dan sutradara Judith Godrèche. Mereka menyerukan reformasi hukum yang lebih baik dalam mendefinisikan pelanggaran "pemerkosaan", meningkatkan perlindungan terhadap korban dan menyediakan unit polisi khusus. Suatu hal yang bagus, Anda mungkin berpikir. Tetapi, apakah ini benar-benar mencerminkan seluruh realitas yang brutal? Atau apakah ini hanya mengungkapkan puncak kecil dari gunung es yang tak terbayangkan dari pelecehan dan kejahatan yang lebih buruk? Dalam beberapa film dokumenter, Kla.TV telah memberikan kesempatan kepada para penyintas dan saksi untuk berbicara tentang keberadaan jaringan pedofilia global. Sebuah jaringan yang tidak hanya melecehkan perempuan dan remaja dengan cara yang paling mengerikan, tetapi juga anak kecil dan bayi. Para penyintas melaporkan penyiksaan sadis dan bahkan pembunuhan korban sebagai bagian dari ritual setan. Mengapa tidak ada debat publik yang masuk akal tentang hal ini? Mengapa media tidak melaporkan secara serius tentang kejahatan setan yang tak terbayangkan kejamnya ini selama bertahun-tahun, tetapi sebaliknya mengejek para penyintas dan saksi dan menggambarkan mereka sebagai orang yang sama sekali tidak dapat dipercaya atau sebagai ahli teori konspirasi? Kla.TV"; "Kla.TV mengungkapkan bahwa media menggunakan strategi yang tidak benar untuk menutupi kejahatan-kejahatan ini di seluruh dunia, dan bahkan terlibat di dalamnya." Anggota sistem peradilan juga terlibat dalam kejahatan ini dan menutup-nutupi para pelaku. Apakah perdebatan tentang pelecehan seksual yang baru saja memanas di Prancis - yang tidak diragukan lagi sangat penting - hanya dimaksudkan untuk membuai publik dengan rasa aman? Apakah mereka ingin orang-orang percaya: "Sesuatu sedang dilakukan, kita bisa yakin"? Di Amerika Serikat juga, ada laporan berulang kali bahwa rawa pedofilia sedang dikeringkan dan anak-anak diselamatkan. Pesan yang menipu ini juga disampaikan dalam film bioskop "Sound of Freedom", misalnya. Jika kita membandingkan perdebatan Moi-Aussi saat ini di Prancis dan perdebatan Me-Too sebelumnya di Amerika Serikat dengan sifat pemberitaan media yang menghina dan membingungkan tentang kekerasan ritual setan, muncul kecurigaan bahwa ini adalah sebuah manuver pengalihan yang sangat besar. Pengalihan perhatian dari kejahatan terburuk yang dilakukan dalam skala yang tak terbayangkan. Di satu sisi, perempuan yang dilecehkan mendapatkan banyak perhatian publik di sini karena adanya hype penggantian laporan - Di sisi lain, hampir tidak ada yang dilaporkan di media sistem tentang anak-anak dan bayi yang dianiaya dan dibunuh ini, sehingga mereka hampir tidak mendapat perhatian dan pendengaran publik. Film "Les Survivantes" membuktikan bahwa itu dapat dilakukan secara berbeda. Film ini sedang berjalan di beberapa bioskop di Perancis. Dalam film tersebut, delapan orang yang selamat dari beberapa jaringan pedocriminal memiliki pendapat mereka. Kisah-kisah otentik mereka menjelaskan cara kerja sistem yang tak terkatakan ini, yang membuat mereka terperangkap saat masih anak-anak. Laporan ini juga mengungkapkan mekanisme yang memungkinkan sistem ini terus berlanjut tanpa pernah dituntut. Chantal Frei, seorang penyintas kekerasan ritual setan yang berbicara dalam film ini, meminta para pemirsa yang berbahasa Perancis untuk menonton film yang mencerahkan ini dan juga mempromosikannya. Anda dapat melakukannya dengan menggunakan brosur yang ada di kotak info di bawah program ini. Film ini juga akan tersedia untuk negara lain. Film ini akan dirilis di bioskop-bioskop di Belgia mulai 7 Juni 2024 dan saat ini sedang diterjemahkan ke dalam bahasa Inggris. Di bawah tautan berikut ini [lessurvivantes-lefilm.com/] Anda, para pemirsa yang budiman, dapat melihat di bioskop mana saja film ini ditayangkan. Anda dapat menemukan cuplikan film ini di sumber. Dengan cara ini, media arus utama sekarang mempublikasikan, menutupi atau menyembunyikan apa yang selama ini mereka cemoohkan!
from kno./mol./bb.
https://www.vogue.de/galerie/cannes-film-festival-2024-roter-teppich
#MeToo in Frankreich - Fall Godrèche: Der Mythos der Muse verschleiert ein Machtsystem https://www.srf.ch/kultur/gesellschaft-religion/metoo-in-frankreich-fall-godreche-der-mythos-der-muse-verschleiert-ein-machtsystem
6000 Zeugenaussagen von Opfern sexuellen Missbrauchs: https://www.kino-zeit.de/film-kritiken-trailer-streaming/moi-aussi-2024
Judith Godrèche ruft zu "Veränderungen" in den Filminstitutionen auf https://www.lemonde.fr/culture/article/2024/02/25/judith-godreche-appelle-a-des-changements-dans-les-institutions-cinematographiques_6218477_3246.html
Wer hört uns eigentlich? Konsequenzen bei sexueller Gewalt gefordert https://www.msn.com/de-at/nachrichten/other/wer-h%C3%B6rt-uns-eigentlich-kritik-in-frankreich-an-straflosigkeit-bei-sexueller-gewalt/ar-BB1mmjcI
Mit "Moi aussi" bringt die französische Schauspielerin Judith Godrèche Tausende Betroffene sexueller Gewalt auf die Leinwand: https://www.zdf.de/nachrichten/politik/ausland/me-too-moi-aussi-kurzfilm-cannes-judith-godreche-100.html
https://www.youtube.com/watch?v=IaJ3IDaKQws
Trailer zum Kino-Film „Les Survivantes“: https://www.youtube.com/watch?v=53FZqW0uePw
In diesen Kinos läuft „Les Survivantes“: https://lessurvivantes-lefilm.com/
Webseite von Chantal Frei, mit ihrem Buch „Ich rede!“ https://www.chantalfrei.com/