Subtitle "Afrikaans" was produced by machine.Subtitle "አማርኛ" was produced by machine.Subtitle "العربية " was produced by machine.Subtitle "Ārāmāyâ" was produced by machine.Subtitle "azərbaycan dili " was produced by machine.Subtitle "беларуская мова " was produced by machine.Подзаглавието "България" е създадено от машина.সাবটাইটেল "বাংলা " মেশিন দ্বারা তৈরি করা হয়েছিল।Subtitle "བོད་ཡིག" was produced by machine.Subtitle "босански" was produced by machine.Subtitle "català" was produced by machine.Subtitle "Cebuano" was produced by machine.Subtitle "ગુજરાતી" was produced by machine.Subtitle "corsu" was produced by machine.Podtitul "Čeština" byl vytvořen automaticky.Subtitle "Cymraeg" was produced by machine.Subtitle "Dansk" was produced by machine.Untertitel "Deutsch" wurde maschinell erzeugt.Subtitle "Untertitel" was produced by machine.Ο υπότιτλος "Ελληνικά" δημιουργήθηκε αυτόματα.Subtitle "English" was produced by machine.Subtitle "Esperanto" was produced by machine.El subtítulo "Español" se generó automáticamente.Subtitle "Eesti" was produced by machine.Subtitle "euskara" was produced by machine.Subtitle "فارسی" was produced by machine.Subtitle "Suomi" was produced by machine.Le sous-titrage "Français" a été généré automatiquement.Subtitle "Frysk" was produced by machine.Subtitle "Gaeilge" was produced by machine.Subtitle "Gàidhlig" was produced by machine.Subtitle "Galego" was produced by machine.Subtitle "Schwizerdütsch" was produced by machine.Subtitle "هَوُسَ" was produced by machine.Subtitle "Ōlelo Hawaiʻi" was produced by machine.Subtitle "עברית" was produced by machine.Subtitle "हिन्दी" was produced by machine.Subtitle "Mẹo" was produced by machine.Podnaslov "Hrvatski" generiran je automatski.Subtitle "Kreyòl ayisyen " was produced by machine.Subtitle "Magyar" was produced by machine.Subtitle "Հայերեն" was produced by machine.Subtitle "Bahasa Indonesia " was produced by machine.Subtitle "Asụsụ Igbo " was produced by machine.Textun"Íslenska" var framkvæmt vélrænt.Sottotitoli "Italiano" sono stati generati con l'intelligenza artificiale.字幕は"日本語" 自動的に生成されました。Subtitle "Basa Jawa" was produced by machine.Subtitle "ქართული" was produced by machine.Subtitle "қазақ тілі " was produced by machine.Subtitle "ភាសាខ្មែរ" was produced by machine.Subtitle "ಕನ್ನಡ" was produced by machine.Subtitle "한국어" was produced by machine.Subtitle "कोंकणी語" was produced by machine.Subtitle "کوردی" was produced by machine.Subtitle "Кыргызча" was produced by machine.Subtitle " lingua latina" was produced by machine.Subtitle "Lëtzebuergesch" was produced by machine.Subtitle "Lingala" was produced by machine.Subtitle "ພາສາ" was produced by machine.Subtitle "Lietuvių" was produced by machine.Subtitle "Latviešu" was produced by machine.Subtitle "fiteny malagasy" was produced by machine.Subtitle "te reo Māori" was produced by machine.Subtitle "македонски јазик" was produced by machine.Subtitle "malayāḷaṁ" was produced by machine.Subtitle "Монгол хэл" was produced by machine.Subtitle "मराठी" was produced by machine.Subtitle "Bahasa Malaysia" was produced by machine.Subtitle "Malti" was produced by machine.Subtitle "မြန်မာစာ " was produced by machine.Subtitle "नेपाली" was produced by machine.Ondertitels "Nederlands" machinaal geproduceerd.Subtitle "Norsk" was produced by machine.Subtitle "chiCheŵa" was produced by machine.Subtitle "ਪੰਜਾਬੀ" was produced by machine.Podtytuł "Polska" został utworzony przez maszynę.Subtitle "پښتو" was produced by machine.Legenda "Português" foi gerada automaticamente.Subtitle "Română" was produced by machine.Subtitle "Язык жестов (Русский)" was produced by machine.Субтитры "Pусский" были созданы машиной.Subtitle "Kinyarwanda" was produced by machine.Subtitle "सिन्धी" was produced by machine.Subtitle "Deutschschweizer Gebärdensprache" was produced by machine.Subtitle "සිංහල" was produced by machine.Subtitle "Slovensky" was produced by machine.Subtitle "Slovenski" was produced by machine.Subtitle "gagana fa'a Samoa" was produced by machine.Subtitle "chiShona" was produced by machine.Subtitle "Soomaaliga" was produced by machine.Titra "Shqip" u krijua automatikisht.Превод "србски" је урађен машински.Subtitle "Sesotho" was produced by machine.Subtitle "Basa Sunda" was produced by machine.Undertext "Svenska" är maskinell skapad.Subtitle "Kiswahili" was produced by machine.Subtitle "தமிழ்" was produced by machine.Subtitle "తెలుగు" was produced by machine.Subtitle "Тоҷикй" was produced by machine.Subtitle "ภาษาไทย" was produced by machine.ንኡስ ኣርእስቲ "ትግርኛ" ብማሽን እዩ ተፈሪዩ።Subtitle "Türkmençe" was produced by machine.Subtitle "Tagalog" ay nabuo sa pamamagitan ng makina.Altyazı "Türkçe" otomatik olarak oluşturuldu.Subtitle "татар теле" was produced by machine.Subtitle "Українська " was produced by machine.ذیلی عنوان "اردو" مشین کے ذریعہ تیار کیا گیا تھا۔Subtitle "Oʻzbek" was produced by machine.Phụ đề được tạo bởi máy.Subtitle "Serbšćina" was produced by machine.Subtitle "isiXhosa" was produced by machine.Subtitle "ייִדיש" was produced by machine.Subtitle "Yorùbá" was produced by machine.Subtitle "中文" was produced by machine.Subtitle "isiZulu" was produced by machine.

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50 ans après Woodstock : légende hippie ou expérience sociale de masse ?

24.09.2019

www.kla.tv/14952

Beaucoup connaissent les images du mouvement légendaire de 1968 : manifs pour la paix, musique nouvelle, vêtements colorés, sexe et drogues, ainsi que le légendaire festival de Woodstock. En apparence, le mouvement hippie était un nouveau départ né des jeunes. Mais il y a des indications concrètes que ce qu’on appelle cette « contre-culture » a été planifiée et contrôlée sur une longue date, que les jeunes ont été délibérément instrumentalisés... [lire la suite]

50 ans après Woodstock : légende hippie ou expérience sociale de masse ?

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24.09.2019 | www.kla.tv/14952

Le 15 août 2019 était le 50e anniversaire du légendaire Festival de Woodstock dans l'État de New York. Au cours de l'été 1969, plus de 400 000 personnes sont allées en pèlerinage aux trois jours de ce festival de musique, qui est toujours considéré aujourd'hui comme l'apogée du mouvement hippie. La présentation courante du mouvement de 1968 faite par les médias est que des jeunes rebelles aux Etats-Unis ont protesté contre la politique étrangère et les activités belliqueuses de leurs pères, et ont essayé de se créer un style de vie complètement nouveau. Les expressions de ce prétendu mouvement de jeunesse étaient par exemple des manifestations pour la paix, de la musique nouvelle, des vêtements colorés, la liberté sexuelle et la drogue, ainsi que le légendaire festival de Woodstock. Jusqu'à aujourd'hui, beaucoup de gens connaissent ces images. Elles sont toujours présentées comme un phénomène autodéterminé des jeunes, comme une « contre-culture ». Mais cette contre-culture était-elle vraiment si autodéterminée ? L’écrivain Robin de Ruiter décrit de façon saisissante dans son livre « Les appâts du culte de Satan » que cette contre-culture des années 60 était avant tout une vaste expérience sociale de masse menée par la CIA, les services secrets britanniques MI6 et l'Institut Tavistock. Le Tavistock Institute of Human Relations (en français « Institut pour les relations humaines), est un institut de recherche en sciences sociales qui a commencé ses activités en 1913 à Wellington House à Londres. [Bureau britannique pour la propagande de guerre].La mission de l'Institut Tavistock était de développer des techniques de propagande pour la guerre psychologique afin de diriger l'opinion publique dans une certaine direction. L'organisation a d'abord été financée par la famille royale anglaise, puis par les fondations familiales des Rothschild ainsi que des Rockefeller, parmi d'autres. Ainsi de nouveaux mots-clés, tels que « teenagers » et « beat generation », « hippies » ou « flower children », qui ont particulièrement imprégné le mouvement de 1968, ont été créés par l'Institut Tavistock. Ces termes ont créé un nouveau groupe de population jeune qui était nettement différent et détaché des normes existantes et qui, selon Robin de Ruiter, devait servir à diviser les générations. En outre, pour l'expérience sociale de masse, on a utilisé une substance psychotrope d'une efficacité extraordinaire, le LSD, fabriquée par l'entreprise pharmaceutique suisse Sandoz SA. Le LSD n'était pas encore interdit à l'époque. Par exemple, des drogues hallucinogènes comme le LSD ont été distribuées aux participants du Festival de Woodstock en 1969 et mélangées à des boissons. Ce qui a eu pour effet de transformer des milliers de victimes qui ne se doutaient de rien en psychotiques déchaînés. À la fin du Festival de Woodstock, 5 000 urgences au total ont été signalées. Même John Lennon, le chanteur et guitariste du groupe de rock britannique les Beatles, a mentionné peu avant sa mort dans une interview pour le magazine Playboy que certaines drogues comme le LSD avaient été délibérément distribuées dans la société pour provoquer un chaos social et un effondrement général de celle-ci. Robin de Ruiter décrit dans son livre que les concerts de rock de l'époque ont servi à éduquer la jeune génération en masse à une « contre-culture » saturée de drogues et adonnée à la liberté sexuelle. Il cite l’activiste hippie et clown Wavy Gravy comme étant l'un des principaux coordinateurs de l'expérience de Woodstock. Gravy était membre de « The Merry Pranksters », un groupe d'artistes qui a voyagé aux États-Unis dans un autobus scolaire aux couleurs vives pour organiser des fêtes LSD et influencer toute une génération au nom du plaisir, du chaos et des paradis artificiels. Gravy aurait travaillé pour les services secrets américains de la CIA et était officiellement responsable de la sécurité du festival de Woodstock avec sa communauté hippie « Hog Farm », en français « Ferme porcine ». Selon de Ruiter, toute la contre-culture, y compris la scène rock, a été infiltrée par des hommes de main des services secrets. La philosophe Claudia Simone Dorchain a aussi examiné le mouvement légendaire de 1968. Elle a également conclu qu'il s'agissait d'un programme des puissants qui voulaient apparemment tester dans quelle mesure on peut programmer des couches de la population jusqu'à l'impuissance. Le summum de la manipulation est, cependant, lorsque la jeune génération d'adolescents sur laquelle cette expérience sociale de masse a été menée, interprète faussement comme une libération le fait qu’elle ait été délibérément influencée dans son libre-arbitre.

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